About

I like pretty colours on pretty things.

artchipel:

Artist on Tumblr

Oleg Oprisco | on Tumblr (Ukraine)

Born in the small city of Lviv in western Ukraine, photographer Oleg Oprisсo worked as an operator at a photo lab from the age of 16. At age 18, he moved to Kiev, where he began his professional photography career. At age 23, he changed from digital capture to film.

Oprisсo is known for his beautiful and very inspired stagging: “Each of my photos is inspired by a scene from real life. That is the perfect source of inspiration for me as there is so much beauty to it. Perhaps today on your way to work, when you were observing the world around you, that was the scene to inspire my next photograph. Of course there are my own changes that I add to the reality, such as characters, props, location, and light… I am constantly involved in a search for inspiration and ideas.” (src. Seamless)

© All images courtesy of the artist

[more Oleg Oprisco]

nevver:

There’s a girl in my room, Fiona Osborne

nevver:

Send no flowers, Kumiko Sekiguchi

darksilenceinsuburbia:

Katharina Roters

From Hungarian Cubes

In Hungarian Cubes, Roters documents those countryside row houses during Kádár’s reign, after residents started freewheeling with colors and shapes to make it so no two houses looked like. Roters noticed the painted “Magyar Kocka”, or Hungarian Cube, houses in 2003 after moving from Germany to a small Hungarian town. Some of the homes have trompe l’oeil paintings around the window, like facsimiles of shutters or trimming. Others look like abstracted images of sun rays, or harvested crops.

“Today you can buy a car you like, you can do everything you like. In this uniform world where people were not allowed to have some individuality, you had to wait for the same car as your neighbor,” Roters says. “The facade is what I can show to the outside to the world. This was a free space at this time where the people can show and express their individuality.”

Roters has spent years photographing the Magyar Kocka houses. She’s met some of the original owners, but also is watching as the Cube houses undergo renovations and new paint jobs. “The intellectual elite in Hungary they hate the kind of housing and the period and the ornamental decoration,” Roters says. InHungarian Cubes, she writes: “In the eyes of the rural population, these houses are simply no longer up-to-date and are therefore…these witnesses to a way of life are slowly but surely disappearing.” The houses are a relic of some rare individualism during a time of homogeneous, community-centric thinking. (by Margaret Rhodes)

Hungarian Cubes is available here, through Park Books.

The beginning of the end of the end of the beginning has begun.

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